这部电影的(de )故(
这部电影的(de )故(🥉)事(🥢)背景(🤪)让(👶)人不禁(jìn )回(huí )忆起《逃出绝命镇(🐎)(zhèn )》。一位(🐑)黑(🎭)人男性(🍘)(杰(jié )森·米切尔饰)(⛄)在(zài )周(🌝)(zhō(🐅)u )末(mò(😦) )的时候,因为觉得(dé )周(zhōu )围只有白(⛽)人朋友(🕴)所(suǒ )以(yǐ )觉得十分紧张。当(dāng )然(🏩)(rá(🔠)n ),这部(🍔)作(🤴)品与乔(🔯)丹(dān )·皮(pí )尔去年那部(✊)符合大(🎊)(dà(🎾) )众(zhòng )口(🎣)味的《逃出绝命(mìng )镇(zhèn )》不同。智利(🍏)导(🌗)演(yǎ(🕚)n )塞巴斯蒂安·席尔瓦(wǎ )是一个(👓)古(☔)怪的(🕹)人(🍕),他的电影如《女仆》、《水晶仙(xiān )女(🏪)(nǚ )》、《肮(🎃)脏(🥛)的婴儿(🚳)(ér )》都倾向于剑走偏锋(fē(🕸)ng ),故事开(❕)始(🛒)会有(📻)点(🛡)怪(guài )异(yì ),而之后则会变得更(gè(🤲)ng )加(jiā )怪(❔)异。这种风格对(duì )于(yú )《周末生日(🔭)游(🍈)》意(yì(😭) )味(🧖)(wèi )着什(🎩)么呢?还不知(zhī )道(dào )。但(😝)我们非(⛪)常(🤱)期待这(🦂)(zhè )种(zhǒng )不确定性,况且演(yǎn )员(yuá(🥪)n )阵(🍠)容中(🥅)还有克里斯(sī )托弗·阿伯特、(🏉)迦(😍)勒(lè(🛣) )兰(🐟)德里·琼斯,迈克尔·塞拉和安(🕎)(ān )·道(🕶)德(🐍)。
4K/8Kの高(💲)解像(xiàng )度による大型映(🀄)像(xiàng )を(💨)は(😽)じめ(🏔)、(♍)CMやPV、テレビ番組、さらにはwebク(🍕)リエイ(🗳)ティヴ・デザインやグラフィ(🎡)ッ(🐞)ク方(🔳)(fā(💂)ng )面(miàn )で(🛹)も活躍するIMAGICAイメージワ(📬)ークス(📬)と(👽)、『ALWAYS三(♈)(sān )丁(dīng )目の夕日』シリーズや(🔇)『(💊)永遠(🛫)の0』などの大ヒット作で知(zhī(📟) )られ(🥥)る(🛳)映像制作集団(tuán )ROBOTがタッグを組(✈)んで、(⏰)子(🏰)どもの(🤢)ころに見た夢を失いな(💍)がら大(🏚)人(🍀)にな(👝)り(👒)、多(duō )忙を極めて久しい現(xià(🥍)n )代人の(🔼)心に、かつてのあの“想い”を蘇(🍕)(sū(🌽) )らせ(🍝)る(🆑)SFファン(🦂)タジー!
如果你有了一个(⭐)不(bú )能(🐘)(né(🥡)ng )说的秘(😣)密,你会选(xuǎn )择(zé )如(rú )何保守呢(🌭)?(🎲)目睹(🚿)了(le )一(yī )起杀人案的小护工(gōng )墨(mò(💘) )墨,和(🍳)绯(🎳)闻缠身的(de )喜(xǐ )剧明星大奎都选(👔)择(zé )了(💇)同(👲)一个地(🎢)方——郊外别墅。这(zhè )里(🐷)是墨墨(📝)曾(👇)经工(🥈)作(🕰)过(guò )的一户人家,当时(shí )主(zhǔ )人(🍥)曾允许(🐼)她不时来(lái )暂(zàn )住,碰巧,这家的(🛂)(de )主(🥎)(zhǔ )人(🗼)(ré(💣)n )就是大(🎈)奎的奶奶。两(liǎng )个无处可(🐄)去又要(🎟)保(🛷)(bǎo )守(shǒ(💞)u )秘密的人就这样在(zài )别(bié )墅里(🤐)相(🏘)遇了(⛸)。为了(le )守(shǒu )住(zhù )自己的秘密,以防(fá(🈹)ng )对(duì )方(🍱)出去乱说话,两(liǎng )人(rén )只好展开(🍳)了互相(🔫)提(🌇)(tí )防(fá(🖤)ng )又令人啼笑皆非的(de )同居(👔)生活。二(🙅)人(🥪)在吵吵(🐰)闹闹的相(xiàng )处中,从最开始的相(🏵)(xiàng )看生(📓)厌,到慢慢发(fā )现(xiàn )彼此身上的(🦌)优(🏂)点,渐(🧓)(jià(🎪)n )生好感。谁知这时(shí ),大(dà )奎的绯(🆑)闻女友(⏳)带(🕢)着(zhe )一(yī(🐽) )众记者找了过来,想(xiǎng )跟大奎坐(🍘)实(🛍)恋情(🙅),不(bú )然就不走了。别墅(shù )被(bèi )各(gè(💏) )路媒体(🌛)记者包围了(le ),墨墨十分担心地看(🐱)(kàn )向(xià(✂)ng )大(🏉)奎……(⏭)
Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem.
ユミは夫(fū )と娘の3人(🚬)暮らし(🏁)。近(🎢)々引っ(♉)越しを考えている。ユミは娘の(🥜)レイナ(🌼)が時(shí )折うわ言を発すること(📶)が(🔼)、少(🥚)々(🖇)気にかかっていた。転居の報(bà(🚳)o )告(gào )も(💛)兼(🦆)ねて友(🍤)人ヒロミと久々に再会するユ(⚽)ミ(💙)。話題(🔘)はいつしか「あの日」のことに(🕚)。「私た(😖)ちが埋めた時(shí )、本当に死ん(🐒)でたの(🔀)か(♈)な?」(👇)。ユミは「あの日」のこ(🦉)とを清(🍂)算(❓)すべく(🐩)、サエ、アコにも再(zài )会を決(🈁)意し、(🏜)廃墟のような家に一人で住(zhù(😜) )む(👱)サエ(😩)に(🐄)会いに行(háng )く。サエは、見知ら(🗝)ぬ少(shǎ(♿)o )女(🗃)が現れ(🤫)て娘だと言(yán )って聞かず、し(🍘)ば(👬)らく(🧢)一緒に暮らしていたが死んだこ(☝)と、そ(🏖)して少女は死んだままその家(🏸)の3階(🥇)に(🔓)寝(qǐn )か(♓)されているということ(🐀)を話し(🤶)出(💞)す。(C)「黄(🏧)泉がえる少女」製作委員会
“假(🦕)如音乐(🔸)是爱情的食(shí )粮,请继续演奏吧(🌭)(ba )!”以(📆)配乐(🎆)著(🕧)称并为(wéi )莎(shā )士比亚爱情喜剧(👱)《爱(ài )的(💦)(de )徒(🤯)劳》及《爱(🌨)的胜(shèng )利(lì )》(即《无事生非(fēi )》)(🤭)注(😡)入无(🗡)限活力的(de )超(chāo )人气导演克里斯托(♓)(tuō )弗(fú(💈) )•拉斯康贝(Christopher Luscombe)携创(chuàng )作(zuò )团(🗜)队重返(🚱)埃(⛑)文河畔(👸)(pàn )斯(sī )特拉福德的皇家(💌)莎(shā )士(🏴)(shì(🔒) )比亚剧(🔤)团,执导莎(shā )翁另一部滑稽又心(🧡)酸的单(🚩)相思爱情故事:
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
详情